Once again we are subjected to a complete pile of festering woke shit written by a clueless and talentless lesbian diversity hire called Juno Dawson that writes like an infant and whose notable works include "This Book is Gay" and "The Gender Games".
The degenerate woke message once again is racism is bad, men are bad, capitalism and large corporations are bad, and everyone especially children must embrace homosexuality because they can get to sexually harass everyone they fancy or that doesn't like them.
Babes, hun, ... it's all in there.
The entire cast couldn't act to save their lives in this infantile woke parody of The Eurovision Song Contest.
The Eurovision has been kept going for hundreds of years and is now called the The Interstellar Song Contest. Rylan Clarke has been brought out of cryogenic stasis in-order to present it from a gigantic space station in interstellar space which can hold an audience of 100,000 lifeforms including Mrs Flood.
The TARDIS lands in one of the private boxes and Gatwa and Belinda step out and take some readings with Gatwa's phallic pillar measuring device.
Meanwhile two homosexual men constantly harassing each other are late for the contest and find out that Gatwa is occupying their private box. One of them is an Interstellar Song Contest fan and the other isn't. They go to a communication console and demand their seats be returned.
In the broadcast control room a female dwarf is ordering everyone around at the moment two woke activists break in and take over control. They replace the live broadcast with a recording of the dress rehearsal to cover up what they intend to do next and claim that no one will notice that Rylan is now missing from the broadcast if they say he's fallen sick.
Was that foreshadowing that no one will notice that Ncuti Gatwa is missing from giving out the results of the UK jury at the real Eurovision Song Contest after pulling out due to unforeseen circumstances, ie. not being allowed to display the Gay Pride flag or any other LGBTQPC++ symbols by the shows organisers?
After starting the recording as a cover the woke terrorists then turn off the force-field of the auditorium and everyone is sucked into space, with the only thing stopping them from flying away completely being the mavity field of the space station which is still on.
Mavity? Indian Isaac Newton? Is this supposed to be real or set in a parallel universe with a different Doctor? How can this be undone if there's going to be a UNIT spin off?
Anyway, Gatwa is sucked out of the private box with the TARDIS and Mrs Flood, while Belinda, the bickering homosexuals, and one of the singers and her producer manage to escape due to circumstances.
The two terrorists have a grudge against the Corporation running the contest because it used their home planet in order to grow poppies for some sort of honey flavouring and then they burned all the fields and the whole plant once the seeds were harvested.
On top of this everyone is racist against their entire species because they happen to have horns growing out of the back of their heads. The male terrorist is given the name Kid as in baby goat after the corporation killed his mother the moment he was born.
This entirely contrived situation is intended by the degenerate DEI hire to elicit sympathy for the terrorists who are about to use some kind of brainwave piggybacking on the live broadcast to kill all 3 trillion television viewers in revenge in order to get their message across.
Why doesn't the writer explain how such a brain signal is even possible?
How are the terrorists supposed to get their message across about the Corporation being evil when they've just replaced the live show with a recording of the dress rehearsal so that they could suck the live spectators into space without anyone of the television viewers knowing?
Why would killing people gain sympathy for the terrorists? The degenerate woke DEI hire fails to discuss this.
This totally ridiculous plot was devised by child with no intelligence whatsoever.
All that they're really interested in is promoting homosexuality to children.
They even mention that there's some sort of communication jamming field in place in the arena during the duration of the contest so that spectators can't make bets on the result with bookies on the other side of the quadrant using sub-space radio because it takes the broadcast signal longer to get there so they would know the result in advance before placing the bet.
What? How the hell can the signal get to the other side of the intergalactic quadrant in the time it takes to perform all of the songs if the broadcast isn't going through sub-space too?
Why are the bookies even taking bets during the show in the first place when they would be fully aware people could try to con them using sub-space and any block could be bypassed?
Everything is totally contrived to suit the stupid idiotic plot.
But it gets worse. In the following minutes the little that was left of the integrity of the character of the Doctor is totally destroyed.
After being partially frozen in space, causing thoughts of vengeance and visions of his granddaughter Susan urging him to resist, Gatwa uses a confetti canon in order to propel himself back to the space station. By fortunate coincidence because of the infantile writing he ends up in the part of the station where the two bickering gay men happen to be, one of which happens to be a nurse who happens to have a medical kit beside him in order to mend Gatwa's frozen heart.
Gatwa then embarks on his mission of absolute vengeance, with more visions of Susan entering his mind, using the abilities of the other gay man who by miraculous coincidence happens to be a technician who has worked on the contest before to hack into the system and create a hologram of Gatwa which he projects into the television control room.
The male terrorist fires at the hologram but the shots pass through it because it's soft light. Gatwa then reappears beside the male terrorist as a hard light hologram in order to sexually harass and then murder him even after he's already stopped the terrorists in their tracks by taking down their brain signal before they could send it, and the female dwarf is having them arrested.
The entire holographic deception idea was pinched from episode 4 of The Pirate Planet by Douglas Adams, but there it had a meaning connected with the plot and provided foreshadowing of the big villain reveal. Here is has no meaning at all because the writer is a woke imbecile who doesn't know how to write and only uses their writing for political messaging.
It also turned out that the female singer who was just about to perform before the show was cut short, who is now with Belinda, is of the same horned species as the woke terrorists but has had her horns paired down in order to disguise them under her hairdo. When her human producer finds out he completely disowns her. She also happens to know both of the terrorists especially the male one who she seems to have gone to school with.
In the end everyone is saved because Gatwa magics up a tractor beam to bring the audience and the TARDIS back to the station to the sound of Making Your Mind Up by Bucks Fizz playing, after tripling the mavity field.
The live broadcast is then re-established and the female singer with the paired down horns and big hairdo is invited on stage by Rylan Clarke to sing the political song she was going to sing about her home planet being destroyed by the Corporation. As if the corporation would even let someone take part in the contest after submitting a song like that. No, wait, that's exactly what Ukraine did and they actually won the contest with it.
Fortunately this song is in the horned alien's own native language so we don't have to endure it's woke messaging.
Belinda meets Rylan drooling all over him and says goodbye and along with Gatwa they now have enough data to take them back to Earth but they find out from a hologram of Graham Norton, who has been long dead, which acts as curator of the Eurovision/Interstellar Song Contest Museum that Earth and all life on it was totally destroyed 800 years ago on 24 May 2025, which of course is next Saturday.
If all life on Earth and everything on it was totally destroyed in 2025 then how can there be humans including Rylan Clarke on the space station along with a hologram of Graham Norton and a museum dedicated to the continuation of The Eurovision Song Contest for the next 800 years?
This makes no sense whatsoever due to the degenerate DEI hire not having a clue about story writing. The DIE hire just like all woke degenerates thinks that stories are nothing more than a vessels to carry political messages to the unsuspecting audience under false pretences.
Gatwa and Belinda arrive at where Earth should have been on 24 May 2025, the day Belinda went missing, to the sound of the Cloister Bell and flashing red lights inside the TARDIS.
Mrs Flood is the last member of the audience to be rescued from space but her coronary or repository bypass has malfunctioned and therefore after revealing that she is the Rani she bi-generates into two Ranis, one of which is played by an Indian actress who claims that she is The Rani and Mrs Flood is just A Rani, and then starts bossing her around while Mrs Flood takes on a submissive posture and mannerism.
After the Ranis find out that Gatwa is no longer around, and therefore it's all safe on the space station, they set off to go after him.
-100/10
-- The True Doctor https://www.youtube.com/channel/UCngrZwoS0n21IRcXpKO79Lw"To be woke is to be uninformed which is exactly the opposite of what it stands for." -William Shatner