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On Sat, 1 Feb 2025 23:24:09 +0000, George J. Dance wrote:Wyand's motivations were never "noble". He was a Neitzschean, whose onlyOn Sat, 1 Feb 2025 5:20:24 +0000, HarryLime wrote:>On Fri, 31 Jan 2025 23:38:44 +0000, George J. Dance wrote:>>On Fri, 17 Jan 2025 4:07:04 +0000, George J. Dance wrote:For now I think of him as the Toohey type, but that could just be my
personal bias. The difference being that: Wynand was a Nietzschean; he
just wanted the power to control reality for itself, without any regard
for how it was used; while Toohey did have an agenda, a malevolent one
of stamping out and destroying all independent thought and creativity.
Hmm... as a publisher, I foster creativity -- providing other poets with
a forum in which to showcase their works.
Doesn't help; I'm sure that both Wynand and Toohey would have said they
were "fostering creativity." As a publisher, Wynand employed several
columnists who could write what they wanted -- unless they wrote
something he didn't like, in which case he'd "ban" (fire) them. That
last sounds like you. While Toohey's war on independent thought and
creativity was to assemble a collective of mediocre talents and promote
the hell out of them. That also sounds like you.
>
I'm afraid the question is still unresolved, and you haven't done a
thing to help resolve it.
You are devaluing Wynand. Wynand's motivations were originally noble
(in Ayn Rand's view), but he became corrupted (or, rather, compromised)
over time. Once having established a position of wealth and power, he
wanted to hold onto it, and was willing to compromise his ethics in
order to do so.
This is opposed to Roark, who is willing to riskThe difference between them is not whether they were true to their
everything he owns, and all of the progress he has made in the hierarchy
of his chosen field, to be true to his personal values.
Wynand redeems himself later in the novel, and is last seen havingYes, that part of the story has a happy ending; Wynand "redeems" himself
returned to his original, Ubermenschian self.
Toohey, otoh, is a one-dimensional symbol of the Communist partyNo, that's wrong, too IMO. Toohey sincerely believed himself to be a
leaders. Toohey pretends to represent the people, but is using their
collective support as a means to self-empowerment.
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