Re: Doctor Whoke S02E05 The Story and the Engine

In article <vvnufc$3kbrv$2@dont-email.me>,
The True Doctor  <agamemnon@hello.to.NO_SPAM> wrote:

Another pile of woke s*t has descended on us where a talentless
diversity hire, Inua Ellams, who writes like an uneducated child
lectures us about racism, slavery, and how it's good to be a homosexual
in Africa.
>
Desmond's has relocated to Lagos, Nigeria, and Ncuti Gatwa decides he
wants a haircut even though he doesn't need one, so he decides to visit
his favourite barber's shop, but not before we are given a lecture on
racism because Gatwa happens to be black and doesn't fit in anywhere
else in this world.
>
If the degenerate writer had an actual clue they'd know that Gatwa
wouldn't fit in in Lagos either because he's Rwandan. Why would the
people in Lagos, Nigeria accept him when his own people, other
Rwandan's, would not accept his parents because they happened to be from
a different tribe and forced them to flee the country?
>
Leaving Belinda in the TARDIS Gatwa makes his way to Desmond's to say
hello to the owner who is an old friend he once put out a huge fire for,
and along the way notices a bunch of faces on posters of missing people.
>
He enters Desmond's and lo and behold all the missing people whose faces
he's seen on the posters are all gathered there all telling stories to
the new barber's shop owner, while the old owner, Gatwa's mate, looks on.
>
Every time a story ends the TARDIS interior flashes an alarm and Belinda
starts shouting at it in order to tell her what is causing it.
>
Gatwa is forced into the barber's chair and tells a story about Belinda
being a nurse. Another degenerate woke lecture ensues, because the
mentally ill woke writer who cannot understand anything except modern
day culture wants to remind us about the real world instead of providing
the viewer with the escapist entertainment they are supposed to be
watching the show for, in order to free themselves from everyday life
and people suffering in hospital beds.
>
But Belinda isn't an ordinary nurse, she's written as a Mary Sue that
knows more about medicine than all of the doctors in the hospital
combined. She has to be the one who is right, and all the doctors, who
just happen to be men are all wrong, so she lectures them, in order for
her the be the one who saves an old woman's life. Hospital doctors
knowing nothing might have some basis in reality, but I don't want a
woke lecture about it from a Mary Sue which to all intents and purposes
is an contrived situation in order to demean men.
>
Somewhere along the way Mrs Flood shows up in the story Gatwa tells
involving Belinda. But it's being told by Gatwa based on what Belinda
told him.
>
How the hell does Belinda know who Mrs Flood even is? She's never seen
her before, and why would Gatwa insert her in a story he is telling.

 Check E1 from this series.
 

>
Why is writing which is the work of an imbecile being chosen above far
superior work? DEI!
>
So, everyone in the barber's shop has to tell stories to keep some
machine going which is taking everyone in the shop to some new
destination because the new owner is some servant or other of the gods
who is fed up with his position as the writer of their story books and
not getting any recognition of his work, and wants to become a god
himself, or something.
>
For some reason the daughter of Anunnaki or is it Anansi -- how am I
supposed to remember when virtually every god in every pantheon of every
religion, from Vikings, Hindus, Egyptians, and Greco-Romans is name
checked -- is supposed to have been betrothed by the god to Gatwa, but
Gatwa deserted her, except he wasn't a he at the time, he was a she, Jo
Martin, who ditched her at the altar. And this daughter of this god just
happens to be there in the barber's shop as the sidekick of the new owner?
>
What a lucky and convenient coincidence. This is the story writing of a
child that doesn't understand how to write.
>
Meanwhile we are subjected to a one sided lecture by this woman about
how slavery is bad.
>
Why are we not told that it was Africans themselves who fuelled the
salve trade, both in regard to Arabs and Europeans, by raiding
neighbouring enemy tribes of their own accord and taking the people they
defeated prisoner in order to sell them to foreign merchants so as to
make a profit?
>
Why are we not told about all the positives of slavery? How it saved
people's lives, because if they had not been sold as slaves they would
have been put to death as enemy captives who could not be trusted to
accept their new rulers, or massacred in the same way that Ncuti Gatwa's
ancestors did to each other 40 years ago, and probably on many occasions
before that too? Huh?
>
Belinda after shouting for hours at the TARDIS console finally gets it
to tell her where the Doctor is and sets out to find the barber's shop.
>
On the way to Desmond's she encounters a repulsive looking little baby
girl with her very long hair all sticking up in the air above her head
as if she needs a haircut.
>
Could this be the Timeless Child monster incarnate, emanating from Ncuti
Gatwa's subconscious? Belinda asks him about her when she enters the
barber's shop, but he says nothing. Is it the Rani?
>
Now, everyone is trapped in the barber's shop which happens to be
travelling through space and the world wide web on the back of a spider,
after Gatwa sonics open the door, which only lets people in but not out
again, except the new owner who wants to be a god, and the woman Gatwa
in the form of Jo Martin was supposed to marry.
>
Is the spider supposed to be Anansi who is usually depicted as a spider?
Why doesn't the writer explain the significance of this?
>
Once again in this ridiculous series the sick, degenerate, woke perverts
cannot resist on inserting their gay agenda into everything they write
and making it impossible for the viewer to suspend their disbelief. They
also can't resist attacking the internet, despite the fact that all the
toxicity on it originates from them and the woke culture war they started.
>
If this was real life Africa, Gatwa and the shop's new owner, who looks
pretty much gay to me, would both have been strung up in a noose,
obviously not the same one at the same time as this would have been too
tempting for them, and set on fire. Talk about being accepted and all
that. Remember Gatwa's ancestors all wanted to massacre each other
because they were from different tribes and probably gay as well. If
slavery had not been abolished then maybe their lives would have been
saved instead of them being butchered.
>
Why doesn't the woke DEI hire talk about these issues and make the story
more balanced and actually enlighten people?
>
Two women being betrothed to each other in historical Africa or any
other historical culture would never have been accepted or even entered
anyone’s mind. It's an anathema, and it doesn't originate from the
bible, since the bible says nothing in condemnation of lesbianism, it's
simply an anathema. Marriage was a contract, a physical contract, in
order to produce legitimate children as heirs. Why wasn't this discussed?
>
So, Gatwa is sent back to the chair again and the woman he jilted, she
jilted, at the altar, cuts and braids a pattern into his hair in order
to show him the way out of the building by another route.
>
Don't assume that this is an original idea. It's over 2500 years old.
It's documented in Herodotus's Histories. But in Herodotus it was
someone else that read the message engraved on top of the messenger's
head so that no one would notice it was being smuggled across borders.
>
How can Gatwa see the map in his hair or even know that it is a map?
Does he have eyes above his head? Why doesn't the idiot woke DEI hire of
a writer have Belinda do something in this episode other than being a
Mary Sue and read or interpret it for him?
>
Suddenly she becomes an expert on everything and starts reciting
technobabble at everyone. Total Mary Sue if ever there was one.
>
So, they run through corridors and come to the heart of the spider, or
god, or gay barber, or whatever, which is in his brain. This doesn't
make any sense. Why is Desmond's bigger on the inside than on the
outside? Why is it feeding off the story of the Doctor which provides it
with infinite energy when he tells it 'he lives, then dies, then lives'
in six words.
>
None of this is explained. It's pulled out of thin air as if it was
magic. But the degenerate DEI hire of a writer doesn't even have a clue
about magic. Magic has rules too. Why are they not explained? Where is
the world building? This is the writing of a clueless child.
>
This story is nothing like Doctor Who. This is Sapphire and Steel.
>
Russell T Davies has completely run out of ideas.
>
Gatwa persuades the gay man that took over the barber shop to let
everyone else go free now he has all the energy he needs to get to his
destination, so he does so. He also tells the gay man to tell his own
six word story too. What is the significance of only six words? Not
explained. Why does he need to tell that story? Not clear.
>
Everyone runs out of the door of the barber shop, and Gatwa and the gay
man are both still inside the heart of the building. Then Gatwa and the
gay man, who wants to be a god, run out of the door chased by the spider
the one who the place was riding on the back of. What the hell happened?
Why was Desmond's riding on a spider and then not? We're not told.
>
The gay man didn't even tell his story, and they're all friends again.
>
All of the men then bow down on their bellies to the woman Gatwa was
supposed to marry as Jo Martin. Why? What did she do for them other than
draw the map? Why aren't they bowing down to Gatwa who saved them
instead of one of the two people who originally entrapped them?
>
The bowing down in servitude all about inserting the degenerate woke
message again that all men must be subservient to women no matter how
much abuse and humiliation they receive from them.
>
Gatwa and Belinda then set off. The original shop owner ponders over
what to do next but no explanation is given as to why Gatwa managed to
turn up at exactly the right time to save the day.
>
Pure garbage!
>
-60/10
>
The story lost all credibility the moment Jo Martin showed up from which
the story which was used as a vehicle to spread gay propaganda to
underage children went totally off the rails.
>
Since the episode was all about story telling let's explain how woke
writing and story telling works.
>
Woke writing derives from totalitarian Marxism as described in George
Orwell's 1984.
>
It's used in order to subjugate and control the population by rewriting
history and literature in order to change it and insert the propaganda
of a tyrannical elitist regime (the Pigs on Animal Farm come to mind)
which has enslaved the population to do its bidding and enrich and
satiate its lusts and desires (as described in Plato's Republic).
>
Woke writers take an existing story and change it, or make up a
simplistic story of their own which doesn't surpass the intelligence of
an small ignorant child in order to gain the attention of the populace
for long enough to transfer a one sided political message inserted into
it, which is never intelligently, logically, or rationally justified or
discussed at all, ever. The audience is taken by surprise since they are
expecting to be entertained not brainwashed, therefore their defences
are all down.
>
This is how woke writers write. The story is unimportant. It's all about
getting people's attention for long enough to transfer the disgusting
and repugnant political message they want to insert and indoctrinate the
people with.
>
Once heard it can never be forgotten. If the people try to resist and
reject the message the woke attempt to suppress them rather than
providing intelligent, logical, and rational arguments for their message
and debating the salient issues, because they can't. If they try to
justify their message they will always lose the argument. Instead the
woke shout down those who won't accept their message by calling them
sexists, racists, homophobes, and bigots, rather than answer their
questions.
>
The woke treat people like an unintelligent woman treats a child by
shouting at it or abusing and smacking it if it resists her control, as
if it were an animal or a pet.
>
Look at how Tekteun treats the Timeless Child to turn it into a monster
to do her bidding.
>
A woman never tries to explain anything to a child unlike a man would
because she can't. This is a psychological fact pertaining how women's
minds are wired to elicit fear, emotional responses and behaviour rather
than to appeal to logic, reason, and rationality as a man would. Women
take on the characteristics of a queen or a bitch mothering its kittens
or puppies. Men and male animals don't mother, they set positive
behavioural examples that gain the grown up animal's attention. Women
have to use fear and emotion because that is the only thing that
controls a baby.
>
But the viewers are all grown ups, we're not babies, so why are we being
treated like a baby child or animal by these woke retards?
>
The woke are taught to write like women, where as can be seen from this
episode all logic and reason is omitted, and nonsensical unexplained
magic is used to try to tie an incoherent narrative together, instead of
setting positive behavioural examples for people to follow.
>
Woke writing is all forcing the acceptance of the will and desires of
the tyrannical elite and those who want to start a revolution and make
themselves tyrants, those who want change, the antagonist of this story
(read Plato's Republic) none of which represents what is good or what is
right. It has no moral compass whatsoever and no belief in freedom, free
thought, free expression, and free will.
>
Look at the Arabian Night's stories as an example of the writing of
women. They're all about obedience and subjugation to the tyrant and
paying homage to them which accepting the position that is designated
for you by others.
>
This is why the episode ends with all the men bowing on their bellies to
a woman, so that she can tread all over them and dictate their position
and what they should do.
>
Nothing in wokedom is based on merit.
>
This is not the way to bring up children, especially boys.
>
Wokery has destroyed all positive male heroes, role models, and father
figures, depicting all men as being weak, socially inept, toxic, and
inferior to women, because it is all based on far-left feminist and gay
ideology which doesn't represent the majority of anyone and is incapable
of leading to the ideal form of what is good and right for society in
general. It's no wonder that according to Gareth Southgate boys have
turned against society and have resorted to playing video games,
watching pornography, and abusing women when every male character
depicted in woke literature is portrayed as being toxic, gay or
effeminate and there is no positive example from a male protagonist for
them to follow that would inspire them and make them better people.
>
It's time for this kind of writing to end!
>
The sooner the diabolical perversion of a once much-loved and cherished
show is cancelled and the people currently running it are thrown out of
the entertainment industry the better.
>
-- The True Doctor https://www.youtube.com/channel/UCngrZwoS0n21IRcXpKO79Lw
>
"To be woke is to be uninformed which is exactly the opposite of what it
stands for." -William Shatner
>

 14-60 -> -46/5 - > -9.2 /10