Sujet : Re: JS Bach / Brandenburg concertos / Die Freitagsakademie
De : ads (at) *nospam* clipboardinc.com (Owen Hartnett)
Groupes : rec.music.classical.recordingsDate : 08. Sep 2024, 17:02:53
Autres entêtes
Message-ID : <o_2cnQ6nELAwV0D7nZ2dnZfqn_ednZ2d@supernews.com>
References : 1 2 3
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On Sep 7, 2024 at 4:33:23 PM EDT, "Roland van Gaalen"
<
vangaalenusenet@gmail.com> wrote:
On 07/09/2024 22:13, Pluted Pup wrote:
Is this a live or studio recording? In either case,
the mixing engineer has great power to emphasize or
de-emphasize tracks in a multi-track recording, so
it can be a reasonable demand that the effect tracks
be turned off, or reduced in volume, that can only
come about from a rerelease with "re"mixing, provided
that the per-track recording haven't been deleted.
I have the same view when applause tracks are
*emphasized* by the engineers, or even "flown-in"
from a different recording.
I like to say that the best engineering is the
least, and what you describe is *intrusive*
engineering that screams "wow, you can really hear
the engineering!"
I've got a recording of a La Folia, where
table saws are mixed into the sound, if I recall
correctly. I can't be objective and say
exactly that the recording would be better
without it because as a listener/consumer only the
released recording can be judged, not the
hypothetical.
But bad engineering is always a justified complaint.
If I didn't like it, I would call the sound effects an annoying gimmick
getting in the way of the music.
But I do like it, so I call it art.
--
I like the energy and the very fast pace.I dislike the sound, they sound like buskers in the subway.
But art is in the ear of the listener.
-Owen