Sujet : Re: Superb D.940 by La Wang and Le Viking
De : ads (at) *nospam* clipboardinc.com (Owen Hartnett)
Groupes : rec.music.classical.recordingsDate : 03. Dec 2024, 16:22:28
Autres entêtes
Message-ID : <bLqdneREXqypv9L6nZ2dnZfqn_adnZ2d@supernews.com>
References : 1 2 3 4
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On Dec 3, 2024 at 10:13:02 AM EST, "Zionazi" <
marcs12212@gmail.com> wrote:
On Tue, 3 Dec 2024 14:23:44 +0000, Owen Hartnett wrote:
On Dec 3, 2024 at 4:32:25 AM EST, "Zionazi" <marcs12212@gmail.com>
wrote:
Dan meets Wang After the concert:
„yo this was really an excellent performance“
Wang:
„Wow thank you“
Dan:
„It’s only worth hearing once though“
Wang:
„Wtf?!“
To paraphrase one of the better slogans of the womens movement:
"So many recordings, so little time."
-Owen
P.S. I thought it was excellent performance. There isn't any attempt at
glitter, it's fine music making. The opening theme, which sounds like a
painful request for relief which is expected by the supplicant to be
refused
(sorry for interjecting some programme into the music!), is full of
emotion.
BTW, I've listened to it 3 times so far.
Yes, I find it in some ways over dramatic maybe — i was at First caught
off guard by this (in a positive sense - i like the pacing), Not quite
Sure what to make out of it (one of the parts i thought were beautiful
or at least interesting (she seems to bring out some things more than
Eschenbach (also because of Pacing ofc), but maybe she accentuates too
much too often; just listened to it again)) — there is much more
innocence conceyed in how Eschenbach plays it… although id like it
played a Little slower; Olafsson is just super dry btw
I hadn't connected this work with innocence, more like guilt. But that kind of
emotional richness is not something you usually expect from Yuja, and I think
that's why both Dan and I reacted positively to it.
-Owen